My brain is having a hard time putting together cohesive thoughts and what does come out are bursts of jittery fragmented ideas with no transitions from one concept to the other. I think this is jet lag.
I went back and forth a bit yesterday--do I register or do I not? I decided to leave it up to the fates. If I got my pin number for my debit card right, I would go on and register, if I got it wrong, I wouldn't. I grabbed my bag and walked down the road to the shala passing through the day-long tree cutting project in its first stages (by the end of the day, it was all gone and in the process was complete chaos). Heavy limbs were falling, people were gathered around yelling "watch out!" and I was tip toeing over branches and leaves as a heavy limb fell a few feet behind me.
There is a man that always hangs out in front of the shala. You go to him and tell him what you need and he generally points you in the right direction with a grin. "Can I register?" He wags his head and motions for me to follow him inside the shala (which is also where Pattabhi Jois -- Guruji -- and his family live). "I need to get money first." He wags again and sits down. I walk around the corned to the State Bank etc. to try my luck at numbers. I'm rolling over the possible combinations. You see, I thought I had the pin written down, but threw it away in one of the mass purges last week which obviously wasn't the brightest moment in my career. I thought I new it, but the more I thought about it, was that 2 a 6?, the 8 a 0?, the 1 a 7?, and so on. I think about things visually and as I pictured the code scrawled on that paper, the numbers morphed form one to the other. I enter the atm room, shove the card in a few times, pound in the password too many times and get my card blocked. Great.
At this point, I'm pretty much set on practicing the following morning (Sunday) and so walk back to the shala and tell shala man that I broke my card and so don't have money but can I still register please? He makes a face that says it all and then tells me to go ask Sharath. I climb the infamous shala stairs, past clusters of havaianas to which I add my own and step into the waiting room/vestibule of the shala. The door to the shala is open and I step inside onto the massive area rugs. As I peek into the office, I see that there are many people gathered and decide that I better wait my turn. I pace in the waiting room for what seems like years until the other students come out and I head in.
First, I see Guruji who is sitting in the chair behind the desk wearing a skull cap. Sharath is standing next to him and offers me a seat. This is when I start spewing sentences and stumbling over my words like a drug addict in withdrawal. He tells me to come back the next day at 4:45am to register with the money. Now I really need to get the money.
I call the bank, I call everyone, I lose hope, it works out (thanks Kim), I get the cash, and then hit the hay at about 7pm and wake up this morning at 3:30am for practice/registration.
It is very quiet and very dark outside except for the occasional creak of a gate or slapping of a yoga student's flip flops on the way to class. It is important to realize before anything else that the clocks in the shala are about 15 minutes in advance, this is also known as "shala time". You walk through the dark alongside silent faces to the front gate and then you wait. By now it is 4:30am. By a quarter till, shala man opens the gates and the usually quietly composed and serene yoga students push each other like fiends up the stairs and squeeze through the doors to get a space. One might assume that there is a spot for everyone, however, not all spots are created equal.
The bum spots:
1. By an open window -- breeze and mosquito central
2. Next to a wall -- you have to move and re orientate yourself during some of the postures or risk running into the wall
3. By the bathroom -- the ceiling is low and some people can't extend their arms over their heads
4. In the dressing room and waiting room -- breezy, mosquitoes, and you're not really a part of the group
5. The hump -- the shala floors are made of marble (or is it granite?) and are covered with massive multi-colored area rugs. At the places where the mats layer one another, a hump is formed. When it is really crowded, your mat might be moved on top of this making practice very awkward, lopsided, and uncomfortable
My spot today? Next to Nuno (of Portugal) and Lea (Ashtanga Canarias) on the far left side of the room. I practiced here a bit last year and I guess that as far as spots go it was great!
After putting my mat down, I went straight to the office to register. I was relieved that Sharath didn't laugh in my face and say that he meant 4:45 in the afternoon. I sat down, filled out the application and promised to bring my photo and passport tomorrow. I gave him the shala fees (27, 530 rupees which is a huge stack of bills) and he filled out a registration card with my name, date, expiration, and mysore practice time of 7am. Nice! I flipped over the application to sign my agreement that I would not practice asana or pranayama with any other teachers in Mysore, stop when the teachers tell me, and there was one more stipulation but I don't remember what it was. Then, I gathered all my courage and asked Sharath about the poses from last year and how "it" works. One week of primary was his answer. So today I had the led class, then Monday through Thursday will be mysore style where I will practice primary series. On Friday and Sunday, I will go to the led first series class and then Monday I will practice mysore doing my full primary practice plus the second series postures I got last year up until Dhanurasana before I end with back bending and finishing poses.
Practice was electric. I was shaky, stiff, and slightly disoriented from the jet lag and days off from yoga. I sweat so much from all the traveling and from working so hard. Sharath teaches like no one else. Muscles become used and blatantly obvious in ways that I can never manage to create on my own. The hard moments were in utthita hasta padangustasana, navasana, sirsasana, and of course uthplutih. But I was proud of myself and how far I've come from last year. There is always a struggle, but at least I could keep up (twitching and all).
After practice, everyone heads outside for a coconut and then I headed home for a rest. I still am so excited that I am actually here!
I went back and forth a bit yesterday--do I register or do I not? I decided to leave it up to the fates. If I got my pin number for my debit card right, I would go on and register, if I got it wrong, I wouldn't. I grabbed my bag and walked down the road to the shala passing through the day-long tree cutting project in its first stages (by the end of the day, it was all gone and in the process was complete chaos). Heavy limbs were falling, people were gathered around yelling "watch out!" and I was tip toeing over branches and leaves as a heavy limb fell a few feet behind me.
There is a man that always hangs out in front of the shala. You go to him and tell him what you need and he generally points you in the right direction with a grin. "Can I register?" He wags his head and motions for me to follow him inside the shala (which is also where Pattabhi Jois -- Guruji -- and his family live). "I need to get money first." He wags again and sits down. I walk around the corned to the State Bank etc. to try my luck at numbers. I'm rolling over the possible combinations. You see, I thought I had the pin written down, but threw it away in one of the mass purges last week which obviously wasn't the brightest moment in my career. I thought I new it, but the more I thought about it, was that 2 a 6?, the 8 a 0?, the 1 a 7?, and so on. I think about things visually and as I pictured the code scrawled on that paper, the numbers morphed form one to the other. I enter the atm room, shove the card in a few times, pound in the password too many times and get my card blocked. Great.
At this point, I'm pretty much set on practicing the following morning (Sunday) and so walk back to the shala and tell shala man that I broke my card and so don't have money but can I still register please? He makes a face that says it all and then tells me to go ask Sharath. I climb the infamous shala stairs, past clusters of havaianas to which I add my own and step into the waiting room/vestibule of the shala. The door to the shala is open and I step inside onto the massive area rugs. As I peek into the office, I see that there are many people gathered and decide that I better wait my turn. I pace in the waiting room for what seems like years until the other students come out and I head in.
First, I see Guruji who is sitting in the chair behind the desk wearing a skull cap. Sharath is standing next to him and offers me a seat. This is when I start spewing sentences and stumbling over my words like a drug addict in withdrawal. He tells me to come back the next day at 4:45am to register with the money. Now I really need to get the money.
I call the bank, I call everyone, I lose hope, it works out (thanks Kim), I get the cash, and then hit the hay at about 7pm and wake up this morning at 3:30am for practice/registration.
It is very quiet and very dark outside except for the occasional creak of a gate or slapping of a yoga student's flip flops on the way to class. It is important to realize before anything else that the clocks in the shala are about 15 minutes in advance, this is also known as "shala time". You walk through the dark alongside silent faces to the front gate and then you wait. By now it is 4:30am. By a quarter till, shala man opens the gates and the usually quietly composed and serene yoga students push each other like fiends up the stairs and squeeze through the doors to get a space. One might assume that there is a spot for everyone, however, not all spots are created equal.
The bum spots:
1. By an open window -- breeze and mosquito central
2. Next to a wall -- you have to move and re orientate yourself during some of the postures or risk running into the wall
3. By the bathroom -- the ceiling is low and some people can't extend their arms over their heads
4. In the dressing room and waiting room -- breezy, mosquitoes, and you're not really a part of the group
5. The hump -- the shala floors are made of marble (or is it granite?) and are covered with massive multi-colored area rugs. At the places where the mats layer one another, a hump is formed. When it is really crowded, your mat might be moved on top of this making practice very awkward, lopsided, and uncomfortable
My spot today? Next to Nuno (of Portugal) and Lea (Ashtanga Canarias) on the far left side of the room. I practiced here a bit last year and I guess that as far as spots go it was great!
After putting my mat down, I went straight to the office to register. I was relieved that Sharath didn't laugh in my face and say that he meant 4:45 in the afternoon. I sat down, filled out the application and promised to bring my photo and passport tomorrow. I gave him the shala fees (27, 530 rupees which is a huge stack of bills) and he filled out a registration card with my name, date, expiration, and mysore practice time of 7am. Nice! I flipped over the application to sign my agreement that I would not practice asana or pranayama with any other teachers in Mysore, stop when the teachers tell me, and there was one more stipulation but I don't remember what it was. Then, I gathered all my courage and asked Sharath about the poses from last year and how "it" works. One week of primary was his answer. So today I had the led class, then Monday through Thursday will be mysore style where I will practice primary series. On Friday and Sunday, I will go to the led first series class and then Monday I will practice mysore doing my full primary practice plus the second series postures I got last year up until Dhanurasana before I end with back bending and finishing poses.
Practice was electric. I was shaky, stiff, and slightly disoriented from the jet lag and days off from yoga. I sweat so much from all the traveling and from working so hard. Sharath teaches like no one else. Muscles become used and blatantly obvious in ways that I can never manage to create on my own. The hard moments were in utthita hasta padangustasana, navasana, sirsasana, and of course uthplutih. But I was proud of myself and how far I've come from last year. There is always a struggle, but at least I could keep up (twitching and all).
After practice, everyone heads outside for a coconut and then I headed home for a rest. I still am so excited that I am actually here!
