Showing posts with label its a long way to the floor. Show all posts
Showing posts with label its a long way to the floor. Show all posts

Saturday, September 15, 2007

Good practice or bad? Its just practice.

It is hard being a yoga teacher. A fellow yoga teacher back in New York (you know who you are) said "being a professional is doing something even when you don't feel like doing it". Post-practice, walking up the road toward my front gate, my body pulsating, feeling each bone and muscle in my legs working together to place each foot, avoiding the mud, sensing the effort of my core muscles to keep myself standing, the dull ache in my shoulders, I thought about what it means to practice.
In many ways, we feel like we had a "good" practice when we felt good. The poses came easily, we accomplished something we have been working on, or the practice looked good. On days when we are distracted, bored, forget poses, stiff, tight, tired, etc., we say our practice was "hard" or "bad". In most of the activities in life that we use the word "practice", there is an insinuation that we will be doing this to prepare for something. For instance, in dance, we practice for a recital or performance. In sports, we practice in order to play well at a game. On a foreign language exam, we have to practice and study in order to retain the information.
In most of these activities, there is a difference between the preparation for an act and the act itself. For instance, if you saw a ballerina doing warm ups, she probably wouldn't tell you she was dancing (even if it looked like it), instead she was doing warm-ups to prepare for the dance. In this way, the act, performance, or fruition of the practice appears to demand a certain amount of mastery or perfection of a technique. In ashtanga yoga, one moves sequentially from one pose to the next. It is necessary to "master" one pose before the instructor teaches the student the next posture. However, the "mastered" poses are still being "practiced" by the student.
According to the Oxford Dictionary, "practice" is defined as "the actual application of a plan or method, as opposed to the theories relating to it. 2 the customary way of doing something. 5 the action or process of practising something so as to become proficient in it.
Sometimes when you play an instrument, you are just playing. It isn't practice or performance, is it?
In A Long Way to the Floor (which I finished and recommend to everyone, it is very sweet), David talks about how he went to a workshop where the instructor commented on how the students were "showing" him their practice instead of "doing" their practice.
Sometimes when I put my mat down to practice, if I am completely honest with myself, I am showing my practice to my teacher, another student, someone watching, or to myself. When Sharath was in the room, many times I had this feeling. He is watching. Everyone had this feeling. We don't always get obsessed with it, but sometimes we do. Like when we notice he is watching us in our last pose and think, "maybe he will give me another one today." Conversely, we might be wondering, "Is my teacher watching me? Because I am not advancing, and they don't seem to know that I usually can grab my ankles in back bending..." Since, Saraswati has been the main teacher, the vibe has changed. First of all, the students who are here right now are different than those who came while Sharath was teaching. They are a bit more laid back. There are less students, so there is no longer the 4:30 queue for the 5 am class. Sharath isn't here to give us poses, so we know where we are now, is where we are going to be until he returns. And for some reason, everyone seems to feel very relaxed with Saraswati, like they can undo their top button.
Example: During the first class that she led, on the third back bend, she said, "walk inside your hands!" Which means, "walk your hands closer to your feet." We all know what that means. We all walk when Sharath or Guruji says it. But she said it a few times and then, "No one is walking their hands!" The entire room burst into laughter.
When you have absolutely no reason to go to practice except to practice, it is very very hard to practice. Strange right? I would have thought that the absence of thoughts, of pressure, would make my practice soft, beautiful, easy, I don't know. But that isn't really what it is about. It is about getting everything very quiet, and then looking around inside to see what you find. It is not easy at all, and actually, no one said it would be. In practice today, I thought about how ridiculous it was that I was awake at this hour, I thought about how my shoulders ached from Saraswati's slow chaturangas, I thought about how I was thinking and how I wished it would stop. Was it a "bad" practice? No. You can be doing all the technical aspects of the physical side of ashtanga yoga and still feel unsettled. Perhaps what we are really doing is exploring and investigating our selves physically, mentally, and spiritually.
*I'd love to get in on the labeling of things as "good" and "bad" and the mind and all that. Let's save that for another post. But for now, let's say that my practice this morning was "good" because I did practice. At the same time, I shouldn't be attached to this label and really the fact is that I practice. End of story. No judgements, right John?
This morning I had a very interesting "expedition". We began by practicing this sequence of asanas or postures called the primary series of ashtanga yoga. These acted as a catalyst that propelled my "self' into an internal journey. I explored the outskirts of an enormous cave. There were many jokesters and clowns and sad little demons blocking the entrance. They held out their hands and begged me for attention. "My shoulder hurts!" Cried one. "I am tired!" called another. I was distracted for a while by the jesters. I felt obligated to help them. How could I not? They were so pitiful looking and I have a lot of compassion, perhaps sometimes a little to much. For a moment, I looked up and saw that the jesters were busy fighting over the attention I gave them. The path to the cave was clear. The jesters sensed my distraction and followed my gaze to the entrance of the cave. We looked back at each other, we knew each other's thoughts. And we ran. I ran for the cave, dodging the leaping clowns as they tried desperately to grab at my clothes and my feet. The entrance got closer and closer, just a few more steps to go, I was almost there...
"Nava, inhale head up. Samastitih!"
"Yoga is 99% practice and 1% theory" --Pattabhi Jois (Guruji)

Wednesday, September 12, 2007

The reflective post

Yesterday, I looked at my day planner (imagine), and realized that I have just 25 days left here in Mysore (including today). It is hard for me to imagine coming here for just a month. When I think back at my time here and where I am at now, I feel like it is just not enough time to soak up all of this. Even now I feel like it could all still just be beginning.

I made a list of all things I wanted to do and see before I left. Without this, it could be fairly easy for me to wake up tomorrow and realize its time to go to the airport. I'd like to float somewhere in between.

Despite the happy send-off of a particularly sound night's sleep, practice was completely ridiculous. I was all over the place. It was great. I kept thinking and telling myself not to think, fidgeting, farting (I'm so sorry Petra). It was such a mess. I wore a new pair of pants that kept slipping down my backside. I tried to put my hair in pigtails. It was okay in front of the mirror, but in class, it was a whole other game. (You're probably thinking "who could mess up pigtails?" but that is another story). My rug was sliding around and crumpling up. And it was taking forEVER. I kept thinking "how long is this going to take? Am I going slower than usual?" I was getting antsy. Then, i realized that I was waiting for something--back bends.

No breakthroughs, funny stories, or insights.


"Right side good. You do left side wrong." Saraswati really felt it today and so did I. She let me go for it a second time, but it was the same story. Hovering in the half back bend, my right hand catches really high TECK (that's the sound of grabbing). Then my left hand pathetically writhes in the air. Saraswati grabs it and pulls. I move both hands down to my ankles and readjust my feet so they are parallel. Then she moves my right hand into that notch behind my knee. The left hand next-- "UNNNGGHHHH". Breathe breathe breathe breathe don't panic, relax breathe and inhale stand hello Saraswati smile smile sit fold and squish "aaaaahhhhh"...


Then off to the dressing room to get eaten by mosquitoes and do finishing postures.

You might remember my first class in July. My struggle with headstand and uthplutih? (Picture on right of students in uthplutih at Guruji's 2002 San Francisco tour. You might not be able to tell, but they are balancing on their hands with their knees and seats are off the floor.) Well, I am amazed at the "progress". Headstand has actually become a calming place to look forward to. My arms are still burning, of course, but I can do it for much longer than before. And then there is uthplutih. always a challenge, but I am facing it. 22 breaths every day. Like my teacher once said, "I look up to my third eye, think about God, and the kundalini is like woooosh." She stays there for 40 very slow breaths. I think about a meat hook pulling up my pelvis. I think about breathing from my pelvic floor. I think about how there is no reason to come down and that the sensations I feel aren't really negative. I look up to my third eye and to the ceiling and imagine shooting up, up. Today was really hard, but when I came down, my head was swarming with heat and I was felt amazing.

I picked up this book at Tina's today called It's a long way to the floor by David Byck. I don't remember where I heard about it, but recently it was recommended to me. I thought with all this attention I'm paying to the experience of being here, it would be a really interesting to see what he experienced and maybe compare notes.


Other updates:


I've got 25 items on my "to do before I die list". This has been incredibly therapeutic. With it, I feel encouraged to be honest with myself about what I really want in life and the things that I am afraid to try for. I feel now that my path is very clear, and that in many ways, I've always been on it.


Last week, Petra and I pulled out the "Angel Cards", which are similar to tarot cards, but much more soft, sweet, and feminine. (Petra says I need to embrace my feminine side, so this is a step on that direction. So is talking about my feelings and practicing with Saraswati and with the influx of female students at the shala. Shakti power!)
















I was very skeptical about the cards, but they were dead on and very comforting. I asked what my life purpose was. The cards told me that it was time to heal worry and fear, to relax and feel safe. They said I was currently learning how to be peaceful and have tranquility in life. Right now is the time to gather information and concentrate on being a student, and that by staying on this path, my life's purpose will be revealed. Wow.

It is not really the same as having someone read your cards in front of you, but, you can get your cards read online for free by clicking here.
Tomorrow there is no practice because there is a festival, I don't remember who it is for. We also have Saturday off, and its back to led on Sunday. I'm off to pay Shala fees today, and there is talk of some craziness tonight, but it could be a good night for more L Word and Grey's Anatomy. Yes, I have succumbed.